05

February 2020

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06

February 2020

INTERNATIONAL LITERARY FESTIVALS CONFERENCE 2020

CONFERENCE 2020

The first International Literature Festivals Conference was held during the 2020 Emirates Airline Festival of Literature (4-9 February 2020), hosted by the Emirates Literature Foundation. The conference provided an opportunity to exchange ideas, examine common issues and discuss mutual challenges, with 29 delegates attending from 25 festivals. All continents were represented, with festival directors coming from as far afield as Australia, New Zealand, South America, Canada, The Caribbean, Africa, Indonesia and many countries in Europe.

During the conference there was an agreement to establish a Global Association of Literary Festivals, a forum through which Festivals can share best practice and explore partnerships, perhaps introducing new audiences through reciprocal working. This will be a long-term proposition connecting literary festivals around the world.

It is hoped that the conference will become a bi-annual event, with other literary festivals hosting the conference in future years.

Festival Directors’ Comments

  • "To see the festival and take part in the conference and meet all the wonderful colleagues was just amazing! Looking forward to collaborating world-wide in the future!"

    Marit Borkenhagen, Norwegian Festival of Literature, Lillehammer, Norway

  • "On all counts it has been a wonderful experience and I’m very grateful for your energy, vision, generosity and kindness."

    Anne O’Brien, Auckland Writers Festival, New Zealand

  • "Thanks so much for hosting such a wonderful forum! It was so incredibly generous of you and far exceeded my expectations."

    Janet DeNeefe, Ubud Writers and Readers Festival, Bali

  • "I am especially grateful to you for providing us with an opportunity to meet our peers, to discuss common issues and solutions, and to share our passion for books and ideas."

    Leslie Hurtig, The Vancouver Writers Festival, Canada

  • "To see the festival and take part in the conference and meet all the wonderful colleagues was just amazing! Looking forward to collaborating world-wide in the future!"

    Lola Shoneyin, AKE Arts and Book Festival, Nigeria

  • "What a fabulous experience you organised for us all. I felt so happy being amongst all the other people across the world who do the same mad job as me (us!). I made some wonderful connections"

    Nicola Tuxworth, The Times and The Sunday Times Cheltenham Literature Festival, UK

  • "We had a stimulating and wonderful time in Dubai. The conference of Festival directors was informative and it was cool to become connected with these people."

    Carolyn Greer, Brooklyn Book Festival, USA

  • "Thank you for all your hard work in making the Literary Festival Directors Conference so interesting and successful. As a relative new girl on the literary festival block, it was great to meet which such a diverse and talented group of people and to hear and share ideas. I am sure some very positive collaborations will come out of the meeting."

    Narisa Chakrabongse, BangKokEdge, Thailand

  • "The gathering you created was beyond extraordinary and I cannot thank you enough for the enriching experience I had. To meet such a warm, bright, generous big-hearted group of like-minded people from every corner of the globe was truly brilliant."

    Edwina Johnson, Byron Writers Festival, Australia

  • "Thank you so much for inviting me to be part of the Festival Directors Conference - it was really interesting, very well organised and we were very well looked after."

    Cristina Fuentes La Roche, Hay Festival of Literature and the Arts, UK

  • "We were so impressed by both your program for the conference and the festival sessions we were able to take part in. All very inspiring and in such a welcoming, engaging and professional spirit. We felt very privileged to be a part of it"

    Kristine Terp Jensen, Louisiana Literature Festival, Denmark

  • "I was so impressed by the initiative, and by the quality of the conference content. I love the idea of an ongoing network"

    Clare Mackintosh, Chipping Norton Literary Festival, UK

ATTENDEES

Lola Shoneyin

AKE Arts and Book Festival, Nigeria

Anne O’Brien

Auckland Writers Festival NZ

Narisa Chakrabongse

BangKokEdge Thailand

Ulrich Schreiber

Berlin International Literature Festival

Liz Koch

Brooklyn Book Festival, USA 2020

Carolyn Greer

Brooklyn Book Festival, USA 2020

Clare Mackintosh

Chipping Norton Literary Festival, UK

Pia Cortez

Bay Area Book Festival

Amalia Sanz

Filba Internacional, Buenos Aires, Argentina

Mauro Munhoz

Flip Brazil International Literature Festival of Paraty

Cristina Fuentes La Roche

Hay Festival of Literature and the Arts

Ankur Bhardwaj

Teamwork Arts/Jaipur Literature Festival, India

Marina Salandy-Brown

NGC Bocas LitFest – Port of Spain, Trinidad and Tobago

Christine Saratsiotis

Toronto International Festival of Authors, Canada

Bea Colley

Southbank, London

Nicola Tuxworth

Cheltenham Literature Festival

Ian George

Cheltenham Literature Festival

PROGRAMME

Wednesday, 05 February

 

The USP, brand and identity of each literary festival, how does that happen and is it important? Creating a clear vision and identity and how to communicate it to authors, audience, sponsors

Panel:
speaker
Cristina Fuentes La Roche

Hay Festival of Literature and the Arts

speaker
Marina Salandy-Brown

NGC Bocas LitFest – Port of Spain, Trinidad and Tobago

speaker
Razi Ahmed

Lahore Literary Festival, Pakistan

Moderator:
moderator
Julia Wheeler
How Important is Brand?
  • Super important in order to attract funding
  • Copyright everything to counteract imposters/copiers, guard the brand
  • Taglines are important
  • The Bocas festival literary pedigree is in Trinidad and efforts to create an eco- system of literature has resulted in Caribbean writers now winning literature prizes.
Sponsorship
  • Discussion on ethical responsibility in accepting money from extractive industries/banks. Mining is a fact of life in emerging economies.
  • Lahore receives no government support and sponsorship comes from foundations, individuals and trusts.
  • Festivals must be creative in developing funding sources
  • NGS Bocas: No history of philanthropy and in some locations money laundering is an issue. Be careful where the money comes from. Due diligence!
Founders – can it be hard to let go?
  • Where there is a strong and involved community, they may take responsibility/ownership
  • In some cases it can be difficult to just pass something on. Relationships, multi ethnicities and a strong board mean that it can take a number of years to hand over.
  • Festivals are like machines and ideally, one is able to think, plan and then step back.
  • Part of the process is to grow eg Lahore has developed strong links with the Asia Society in London and now travels to London.
Who Pays?
  • Different festivals have different models. Audience consensus was that it is good to charge in case external funding fails. Also, ‘having skin in the game’/commitment is important for stakeholders.
  • Charge less for schools.
  • Brooklyn is free and the inclusive outreach is part of the brand.
  • Another model is that events are free for the low income; also a small fee can be refunded if they attend.

Vision, Strategy, Themes – The balancing act -popular culture vs niche, local vs international authors, crowd-pullers and providing a platform for new writing

Panel:
speaker
Liz Koch

Brooklyn Book Festival, USA

speaker
Bea Colley

London Literature Festival, Southbank, UK

speaker
Marit Borkenhagen

Norwegian Festival of Literature

Moderator:
moderator
Julia Wheeler

 

Crisis Management –plus the influence of digital media and how it helps/hinders

Panel:
speaker
Isobel Abulhoul

Emirates Airline Festival of Literature

speaker
Syima Aslam

Bradford Literature Festival, UK

speaker
Ankur Bhardwaj

Teamwork Arts/Jaipur Literature Festival, India

speaker
Ray Eglington

Four Communications Group

Moderator:
moderator
Brandy Scott

 

 

The role of festivals in breaking down stereotypes with author Roudha Al Marri

Panel:
speaker
Ahlam Bolooki

Emirates Airline Festival of Literature

speaker
Anne O’Brien

Auckland Writers Festival NZ

speaker
Janet Deneefe

Ubud Writers and Readers Festival Bali, Indonesia

Moderator:
moderator
Julia Wheeler

 

Thursday, 06 February

Can festivals be financially self-sustaining?

Challenges of sponsorship and ROI, fundraising, charitable giving, corporate and public sector investment, marketing, digital rights. We look at different models and tips on how to save money and market your festival without a big budget.

Panel:
speaker
Edwina Johnson

Byron Writers Festival, Australia

speaker
Lola Shoneyin

AKE Arts and Book Festival, Nigeria

speaker
Anna Kulp

Leukerbad International Literary Festival, Switzerland

Moderator:
moderator
Vivienne Wordley

Literary Tourism – The importance to the tourist industry and building a cultural city/destination

Panel:
speaker
Mauro Munhoz

Flip Brazil International Literature Festival of Paraty

speaker
Carolyn Greer

Brooklyn Book Festival, USA

speaker
Christian Lund

Louisiana Literature Festival, Denmark

Moderator:
moderator
Amandeep Bhangu

 

 

Audience attraction

How do we get people through the doors – free or ticketed? Day passes? Capturing the audience attention – marketing strategies and specifics, digital v traditional methods etc.

Panel:
speaker
Christine Saratsiotis

Toronto International Festival of Authors, Canada

speaker
Ulrich Schreiber

Berlin International Literature Festival, Germany

speaker
Andrea Gissdal

Emirates Airline Festival of Literature

Moderator:
moderator
Julia Wheeler

 

Perspectives on delivering a seamless event. In conversation:

Panel:
speaker
Ankur Bhardwaj

Event Management Director, International Festivals Jaipur

speaker
Chris Bradley

Sponsor (Chevron)

Moderator:
moderator
Vivienne Wordley

Buckingham Literary Festival UK/Santa Fe LitFest USA

moderator
Julia Wheeler
Panel:
speaker
Flora Rees

Emirates Airline Festival of Literature

speaker
Leslie Hurtig

The Vancouver Writers Festival, Canada

speaker
Nicola Tuxworth

The Times and The Sunday Times Cheltenham Literature Festival, UK

speaker
Graeme Simsion

author

Moderator:
moderator
Julia Wheeler

The importance literature plays in including ‘others’ and in building bridges across communities.

In today’s uncertain world, with some people taking increasingly polarized positions, it has become ‘us’ and ‘them’. As communities have become entrenched in their views, looking inwards and being unable to see another’s point of view, what part does literature play in bringing about understanding and showing us that we should be building bridges and not walls? Talk by Khoula Al Mujaini, Director of Fairs and Festivals, Sharjah World Book Authority,

Panel:
speaker
Khoula Ali Amed Al Mujaini

Sharjah Book Fair –attends 130 book fairs per year. They are developing new local authors through workshops and use an Emirati publishing house.

Moderator:
moderator
Amandeep Bhangu

Literary Festivals and The Future – sustainability, streaming/broadcasting digital rights, tech solutions, audiences changing profile/ expectations

Panel:
speaker
Ian George

The Times and The Sunday Times Cheltenham Literature Festival, UK

speaker
Ulrich Schreiber

Berlin International Literature Festival, Germany

speaker
Cristina Fuentes La Roche

Hay Festival of Literature and the Arts

Moderator:
moderator
Amandeep Bhangu

 

CEO and Trustee of the Emirates Literature Foundation

The establishment of a Global Association of Literary Festivals was discussed, to enable the conversations to continue.

Next Conferences to be organised:

Nigeria, 27 – 30 October 2022

Brazil, Paraty July 2024